Wypromowane prace dyplomowe
2015
Prace magisterskie
- Crossing Moral Boundaries: The Carnivalization and the Grotesque in Alan Warner’s "Morvern Callar" and Niall Griffiths’s "Kelly + Victor"
2014
Prace magisterskie
- Speaking with the dead. A New Historicist approach to "Feet in chains" by Kate Roberts and "The Life of Rebeca Jones" by Angharad Price.
- Modern sequels to Jane Austen's "Pride and Prejudice": Emma Tennant's "Pemberley" and P.D. James's "Death Comes to Pemberley”.
- Whoever you invented invented you too: rhetoric of absence in “Morvern Callar” by Alan Warner
- Broadening and Trespassing the Ghost Story Canon in Selected Works by Sheridan Le Fanu, Montague Rhodes James and Algernon Blackwood
- Reconstructing the Fantasy Genre: Neil Gaiman's 'The Sandman'
- Visions of Scotland in Scottish Romanticism and Alan Warner's Fiction
- The Sources of Inspirations of J.R.R. Tolkien's 'A Elbereth! Gilthoniel'
- Entropy of Meaning: Transtextuality in Will Self's The Book of Dave
- Female Identity in Selected Works of Aphra Behn and Ann Radcliffe
- Christianity, Mythology, and Arthurian Legends in "The Space Trilogy" by C. S. Lewis.
- The Detective Figure in Selected Works by Arthur Conan Doyle, Gilbert Keith Chesterton, and Agatha Christie. A Comparative Study.
- Patients, Doctors and Illnesses: Medicine in Victorian Literature.
- Reworkings of the Viking Warrior in Modern Culture
- The Road of the Woman from Confinement to Freedom in Charlotte Brontë’s Jane Eyre and Angela Carter’s The Magic Toyshop
- The Motif of 'The Madwoman in the Attic' in Jean Rhys' 'Wide Sargasso Sea', Charlotte Brontë's 'Jane Eyre' and Charlotte Perkins Gilman's 'The Yellow Wallpaper'.
- Magical Realism as a Postcolonial Strategy in Gabriel García Márquez's One Hundred Years Of Solitude, Ben Okri's The Famished Road and Salman Rushdie's Midnight's Children
- Portrayl of the American West in Selected Novels by Nicholas Evans
2013
Prace magisterskie
- The Theme of War Trauma in British 20th Century Fiction
- Portrayal of the English in Niall Griffiths's "Sheepshagger", Julian Barnes's "England, England" and Kate Fox's "Watching the English"