2017

Prace magisterskie
  • Mythological Symbolism in "The Witcher" by Andrzej Sapkowski and "A Song of Ice and Fire" by George R.R. Martin
  • Self-image of the Welsh and the Irish on the basis of "Felicia's journey" by William Trevor and "Sheepshagger" by Niall Griffiths.
  • Reworkings of Celtic Mythology in Literature and Popular Culture
  • Irish Immigration to the United States of America in Pursuit of the American Dream. A Study of Frank McCourt's "Angela's Ashes", Brian Friel's "Philadelphia, Here I Come" and Sebastian Barry's "On Canaan's Side".
  • Literary Reflections of Historical Trauma in Ian McEwan's "Saturday" and Virginia Woolf's "Mrs Dalloway"
  • Magic Realism in Latin American and English Language Fiction. A Comparative Study.
  • "All unconscious of their fate, the little victims play." War as Theatre in 'King Rat' by James Clavell, 'The Cruel Sea' by Nicholas Monsarrat and 'The Things They Carried' by Tim O'Brien.
  • Christian Allegory in C.S. Lewis' "The Chronicles of Narnia" and J.R.R. Tolkien's "The Lord of the Rings"
  • Self-image of the Welsh in 20th-century Welsh Fiction

2015

Prace magisterskie
  • The Evolution of Kunstlerroman on the Basis of "Cat's Eye" by Margaret Atwood, "Atonament" by Ian McEwan and "A Portrait of the Artist as a Young Man" by James Joyce.
  • The Figures of Sherlock Holmes, James Bond and Comic Book Heroes in the Light of Modern Mythological Theories
  • Representation of the 19th Century Woman in Jean Rhys's Wide Sargasso Sea and Michel Faber's The Crimson Petal and the White
  • The Concept of Ecriture Feminine in Harold Pinter's The Homecoming, Martin McDonagh’s The Beauty Queen of Leenane and Terry Johnson’s Hysteria.
  • Triangular Relationships in Harold Pinter's The Collection, Old Times and Ashes to Ashes.
  • Evolution of the Epistolary Novel on the Basis of Pamela by Samuel Richardson, Rites of Passages by William Golding and Where Rainbows End by Cecelia Ahern
  • Archetypes and Mythology in Fantasy Fiction: A Study of J. K. Rowling`s "Harry Potter" Series
  • The Evolution of High and Low Fantasy in British Literature
  • Morality and In-Yer-Face Theatre in Selected Plays by Mark Ravenhill
  • Images of Motherhood in Modern British Drama of the 1980s and 1990s on the Example of Caryl Churchill's Top Girls, Harold Pinter's Moonlight and Matrin McDonagh's The Beauty Queen of Leenane.
  • Representations of Bombay as a Neo-Baroque City in Contemporary Indian-English Fiction