2019

Prace magisterskie
  • The Image of the Antiheroine in William Thackeray's "Vanity Fair", Mary Elizabeth Braddon's "Lady Audley's Secret", and Daphne du Maurier's "My Cousin Rachel"
  • The narratives of the American Dream through foodways perspective
  • 19th Century British Women’s Literature and „Chick Literature”. A Comparative study
  • "Celtic Mythology in Comics and Graphic Novels - A Comparative Study''
  • The Role of the Tattoo in Modern English-language Literature and Film
  • British and American Noir. A Comparative Study
  • “The Mind and the Body as symbols of Humanity in Philip K. Dick’s Do Androids Dream of Electric Sheep? and Ghost in the Shell. Stand Alone Complex series by Junichi Fujisaku”
  • The Portrayal of the Unmarried Women and Marriage on the Basis of Pride and Prejudice and Emma by Jane Austen and Tess of D'Urbervilles by Thomas Hardy
  • Theme of Cupid and Psyche in "The Golden Ass" by Apuleius, "The Little Mermaid" by Hans Christian Andersen and "Until We Have Faces" by Clive Staples Lewis
  • Vampires in Bram Stoker’s Dracula and its Film Adaptations. A Historical Approach
  • ’The Art of Murder’. Relationships Between Art and Crime in Gregory Funaro’s 'The Sculptor', Patrick Suskind’s 'Perfume: The Story of a Murderer' and Bryan Fuller’s 'Hannibal'
  • The Motif of the Road in "The Dog Stars" by Peter Heller, "Into the Wild" by Jon Krakauer and "Slaughterhouse-Five" by Kurt Vonnegut
  • The Concepts of 'Femme Fatale' and 'Fallen Woman': A Comparative Analysis on the Basis of John Fowles' 'The French Lieutenant's Woman' and Daphne du Maurier's 'Rebecca'
  • Representation of Female Folk Tale Characters in "Fables" by Bill Willingham and "The Bloody Chamber" by Angela Carter
  • Fashion in Selected Film Adaptations of Jane Austen's Novels

2018

Prace magisterskie
  • Development of Children from Early Age to Maturity and Social Problems in Charles Dickens's Fiction

2017

Prace magisterskie
  • Cultural Untranslatability in Welsh Literature on the Basis of "How Green Was My Valley" by Richard Llewellyn, "Sheepshagger" by Niall Griffiths, "My People" by Caradoc Evans, and "The White Farm" by Geraint Goodwin
  • Modern Reworkings of Celtic Mythology in Irish and Welsh Popular Culture.
  • Mythological Symbolism in "The Witcher" by Andrzej Sapkowski and "A Song of Ice and Fire" by George R.R. Martin
  • Self-image of the Welsh and the Irish on the basis of "Felicia's journey" by William Trevor and "Sheepshagger" by Niall Griffiths.