dr Aleksander Bednarski

Integration and Disintegration of Scottish Identity in Walter Scott's "Rob Roy" and Irvine Welsh's "Trainspotting".
The Figure of the Monarch and the Blending of Gender in William Shakespeare's Plays and Virginia Woolf's "Orlando"
Functions of Props in William Shakespeare's Titus Andronicus, The Merchant of Venice and King Richard III. A Semiotic Approach.
The Reflection of Victorian Society in Selected Plays by Oscar Wilde and George Bernard Shaw
Vision of Art in the Works of the Pre-Raphaelite Brotherhood
Crossing Moral Boundaries: The Carnivalization and the Grotesque in Alan Warner’s "Morvern Callar" and Niall Griffiths’s "Kelly + Victor"

Speaking with the dead. A New Historicist approach to "Feet in chains" by Kate Roberts and "The Life of Rebeca Jones" by Angharad Price.
Modern sequels to Jane Austen's "Pride and Prejudice": Emma Tennant's "Pemberley" and P.D. James's "Death Comes to Pemberley”.
Whoever you invented invented you too: rhetoric of absence in “Morvern Callar” by Alan Warner
Broadening and Trespassing the Ghost Story Canon in Selected Works by Sheridan Le Fanu, Montague Rhodes James and Algernon Blackwood
Reconstructing the Fantasy Genre: Neil Gaiman's 'The Sandman'
Visions of Scotland in Scottish Romanticism and Alan Warner's Fiction
The Sources of Inspirations of J.R.R. Tolkien's 'A Elbereth! Gilthoniel'
Entropy of Meaning: Transtextuality in Will Self's The Book of Dave
Female Identity in Selected Works of Aphra Behn and Ann Radcliffe
Christianity, Mythology, and Arthurian Legends in "The Space Trilogy" by C. S. Lewis.
The Detective Figure in Selected Works by Arthur Conan Doyle, Gilbert Keith Chesterton, and Agatha Christie. A Comparative Study.
Patients, Doctors and Illnesses: Medicine in Victorian Literature.
Reworkings of the Viking Warrior in Modern Culture
The Road of the Woman from Confinement to Freedom in Charlotte Brontë’s Jane Eyre and Angela Carter’s The Magic Toyshop