2013

Prace licencjackie

• Unreliable Narration in "The Sense of an Ending" by Julian Barnes
• ''It Had Been I Who Was The Fool'': The Victim and The Victimizer in Sarah Waters' "Affinity" and "Tipping The Velvet"
• Childhood Relationships and Adult Conflicts with Others in Kazuo Ishiguro's "The Unconsoled"
• Realistic, Modernist and Postmodern Narrative Techniques in Thinks… by David Lodge
• Art and Life in Virginia Woolf's "Between the Acts"
• Literature as a Way to Create Life and Alter Reality in Ian McEwan's "Atonement".

Prace magisterskie

• The Image of Woman in the Fiction of Contemporary British Female Novelists
• The Functions of Storytelling in Jeanette's Winterson Fiction
• Portraits of Women in Contemporary Postcolonial British Fiction

2012

Prace magisterskie

• The Concept of Evil in the Fiction of Niall Griffiths, Irvine Welsh and Patric McCabe
• The Image of Man in Historiographic Metafictions by John Banville
• The Journey of Self-Discovery in Contemporary British Fiction
• Post-Colonialism in Niall Griffiths's Fiction

2011

Prace magisterskie

• Romance and Its Transformations: from Realism ("Waverley" by Walter Scott) through Modernism ("The Alexandria Quartet" by Lawrence Durrell) to Postmodernism ("Possession" by A.S.Byatt).
• Magical Realist Representation of Women in Salman Rushdie's Early Fiction
• Elements of the Gothic convention in Ian McEwan's recent novels. Enduring Love, Atonement, Saturday
• The Representation of the Body in Ian McEwan's Fiction
• Contemporary British Fairy Tales for Adults: Angela Carter's "The Magic Toyshop", Jeanette Winterson's "Sexing the Cherry" and Graham Swift's "Waterland".
• Female Bildungsroman in Patriarchal Society: E.M. Forster's "A Room with a View" and Virginia Woolf's "The Voyage Out"
• An Artist and the World-Communion Versus Conflict: In the Fiction of John Fowels, Ian McEwan and Kazuo Ishiguro