2014

Prace licencjackie
  • The World’s Origins in J. R. R. Tolkien’s „Silmarillion” Compared with the Book of Genesis
  • Child as a Focalizer in "Pigeon English" by Stephen Kelman

2013

Prace licencjackie
  • Borders of Cognition in "Jacob's Room" and "Between the Acts" by Virginia Woolf
  • How Far Can the Narrator Go Before He Becomes a Character Himself? Discussing Terry Pratchett's "Reaper Man".
  • Unreliable Narration in "The Sense of an Ending" by Julian Barnes
  • ''It Had Been I Who Was The Fool'': The Victim and The Victimizer in Sarah Waters' "Affinity" and "Tipping The Velvet"
  • Childhood Relationships and Adult Conflicts with Others in Kazuo Ishiguro's "The Unconsoled"
  • Realistic, Modernist and Postmodern Narrative Techniques in Thinks… by David Lodge
  • Art and Life in Virginia Woolf's "Between the Acts"
  • Literature as a Way to Create Life and Alter Reality in Ian McEwan's "Atonement".
Prace magisterskie
  • The Image of Woman in the Fiction of Contemporary British Female Novelists
  • The Functions of Storytelling in Jeanette's Winterson Fiction
  • Portraits of Women in Contemporary Postcolonial British Fiction

2012

Prace magisterskie
  • The Concept of Evil in the Fiction of Niall Griffiths, Irvine Welsh and Patric McCabe
  • The Image of Man in Historiographic Metafictions by John Banville
  • The Journey of Self-Discovery in Contemporary British Fiction
  • Post-Colonialism in Niall Griffiths's Fiction

2011

Prace magisterskie
  • Romance and Its Transformations: from Realism ("Waverley" by Walter Scott) through Modernism ("The Alexandria Quartet" by Lawrence Durrell) to Postmodernism ("Possession" by A.S.Byatt).
  • Magical Realist Representation of Women in Salman Rushdie's Early Fiction
  • Elements of the Gothic convention in Ian McEwan's recent novels. Enduring Love, Atonement, Saturday