2024

Prace licencjackie
  • Systemic Oppression and Institutionalised Prejudice against the Canadian Native Other in ‟Bones of Crows” (2022)
  • The Question of Conscience Rights and Discrimination against Religious Pacifism in “Hacksaw Ridge” (2016)
  • The Adverse Mix of Social Conservatism and Progressiveness in Riot Games' Series "Arcane": The Question of Class Divide and Gender Normativity
  • The Postmodern Moral Ambiguity of Evil in “Inglourious Basterds” (2009) by Quentin Tarantino
  • Patriarchal Doll or Feminist Icon: Feminine Identity and Gender Roles in Selected Barbie Films
  • My Chemical Romance and Fall Out Boy as Iconic Emos of the Early 2000’s Subcultural Zeitgeist
  • The Class Divide, Social Darwinism and the Cycle of Poverty: The Representation of the American Lower Class in the TV Series "Shameless"
  • Navigating Chinese-American Feminine Identity through a Multiverse of the Immigrant Experience and the Generation-Gap Conflict in “Everything Everywhere All at Once” (2022)
  • Engineering a True British Gentleman in ”Scouting for Boys” (1908) by Sir Robert Baden-Powell
  • From Ghetto Activism to Bling Glamour: Commodification of Hip-hop Culture and Rap Music on the Basis of the Artistic Endeavor of Kendrick Lamar, 50cent and Migos

2023

Prace licencjackie
  • The Crisis of British Aristocratic Identity and Sense of Purpose in “The Remains of the Day” by Kazuo Ishiguro and the TV Series “Downton Abbey”
  • The Post(?)colonial Dynamics of Human and Nature at the Red-White American Frontier in "Dances with Wolves" (1990) and "The Revenant" (2015)
  • Social Hierarchies and Inequalities in Contemporary America on the Basis of "Brooklyn 9-9"
  • The Dystopian Power and Limits of Knowledge in "The Giver" (2014)
  • The Ethos of a Football Fan in “Green Street Hooligans” (2005)
  • Little Women - Big Dreams: Learned and Rejected Lessons of Proper Feminity in the Movie "Little Women" (2019) and the TV Series "Anne with an E" (2017)
  • Patterns of Good and Evil – Representation of Religious and Secular Moralities in "The Chronicles of Narnia: The Lion, the Witch and the Wardrobe" (2005) and "The Good Place" (2016)
  • Cyberpunk Anti-Authoritarianism in "Cyberpunk 2077" (2020)
  • Good for Her! - Revenge of the Final Girl as Female Empowerment in Selected Contemporary American Horror Films
  • Punks Not Dead! - The Subcultural Image of British Reality in the Song Lyrics by The Exploited