Wypromowane prace dyplomowe
2021
Prace licencjackie
- Crime and Order - Inside Deviance and Values of the Criminal Underworld in "Top Boy" (2011-2019) and "Peaky Blinders" (2013-2019)
- The Power of Text and Its Reader - Representations of Fallacious Reception in Oscar Wilde's "The Picture of Dorian Gray" and Stephen King's "Misery"
- Madness of and in Modern Culture in Chuck Palahniuk's "Fight Club"
- From Hip Hop to Hip Pop – the Evolution of Hip Hop Cultural Image on the Examples of 2pac, 50cent and Lil Dicky
- Prince Philip: Challenging Class Hegemony and Masculine Superiority of the Royal Consort in "The Crown" (2016 - 2020)
- Royal Encounters with Modernity in "The Crown" (2016-2020)
- Bittersweet - Cultural Representations of Chocolate in "Chocolat" (2000) and "Charlie and the Chocolate Factory" (2005)
- Anarchy in the UK and the US - British and American Punk Revolt in Selected Iconic Punk Albums
- Totalitarian Utopia of the Future - Individual Freedom, Human Engineering and Social Order in "Equilibrium" (2002) and "The Giver" (2014)
- Patriarchal Fear, Racial Anxiety and Female Madness in Bram Stoker’s "Dracula" and Jean Rhys's "Wide Sargasso Sea"
2020
Prace licencjackie
- Interior Britishness - The Policy of Taste in "The Great Interior Design Challenge"
- "Us" Versus "Them" in Selected 9/11 Hollywood Films
- “You’ve Come a Long Way, Baby”: Notion of a Smoking Woman in Virginia Slims Advertising
- Gender and Feminism in Songs and the Public Image of Beyonce
- The System and Resistance - The Panopticon in "Watch Dogs 2"
- Biased Minds - FBI Perception of Race and Gender in "Mindhunter"
- Protecting and Challenging Gender Norms of Masculine Sexuality in "Boy Erased" by Joel Edgerton
- Depiction of Female Witches in "The Wizard of Oz" by Victor Fleming and "The Love Witch" by Anna Biller
- The Persistent Horror of Racism in the United States in Jordan Peele’s “Get Out”
- The Policy of High School Power and Hierarchy in Selected American Teen Movies