Łukasz Borowiec

2023

Prace licencjackie
  • Historical References in George R.R. Martin's "The World of Ice and Fire"
  • Victorian versus Modern Women in Arthur Wing Pinero's ''The Second Mrs Tanqueray'' and Timberlake Wertenbaker's ''The Break of Day''
  • Gothic Elements in Wilkie Collins' "The Haunted Hotel" and Its Radio Adaptation
  • Dystopia and Cyberpunk in "Altered Carbon" by Richard Morgan
  • Experiencing Loss in John Green’s “Looking for Alaska” and Lucy Catherine's “Halfway Here”
  • The Hostage-Captor Relationship in "A High Wind in Jamaica" by Richard Hughes
  • Gothic Elements in Bram Stoker's "Dracula" and Its BBC Radio Adaptation
  • The Impact of Colonisation on Family Relations in Caryl Phillips' "Crossing the River"
  • The Mother-Daughter Relationship in "The Crocodile Bird" by Ruth Rendell
  • Functions of Landscape Descriptions in "A Month in the Country" by J.L. Carr
  • Features of the Dystopian World in George Orwell's "1984" and Its BBC Radio Adaptation

2022

Prace licencjackie
  • Consumerism and Consumption in Caryl Churchill's "Owners"
  • The Concept of Love in William Shakespeare's "Hamlet" and Steven Berkoff's "The Secret Love Life of Ophelia"
  • Emotional Tensions in Samuel Adamson's "Mrs Affleck"
  • Moral Ambiguity and Crime in Donna Tartt's "The Secret History"
  • The Role of Men in "Call the Midwife" by Jennifer Worth
  • Gothic Elements in Catherine Storr's "Marianne Dreams"
  • Individual versus Society in Lynne Reid Banks' "The L-Shaped Room"
  • Dystopian Spaces in "Never Let Me Go" by Kazuo Ishiguro
  • The Image of Evil in "The Binding" by Bridget Collins