Wypromowane prace dyplomowe
2018
Prace licencjackie
- Aspects of narration in ''The Katniss Chronicles''
- Aspects of Interpersonal Conflict in Three Contemporary Radio Plays
- Aspects of narration in crime radio plays: Tony McHale's "Dead in the Water" and John Dryden's "Scenes from a Crime"
- Approaches to Traditional Tales in Radio Dramas "The Forgotten" by Hattie Naylor and "Mustard Seed" by Nick Warburton.
- The motif of revenge in Emily Brontë's "Wuthering Heights" and Joseph Conrad's "Victory".
- The motif of isolation in "The Shining" by Stephen King
- The Image of Greece and Greeks in "The Magus" by John Fowles and "The Bull beneath the Earth" by David Calcutt
- "The vision of the world in Orson Welles' adaptation of H.G.Wells' "The war of the worlds."
- Feminist literary theory and Margaret Atwood’s "Handmaid’s Tale"
- Destructive power of love in Emily Brontë's "Wuthering Heights" and its radio adaptation
- Compensation of Lack of Sight in Tom Sullivan's Autobiography "If You Could See What I Hear"
- The motif of entrapment in Charlotte Brontë's "Jane Eyre" and its radio adaptation.
- The motif of suicide in the radio plays "doyouwishtocontinue'' and ''Bridge''.
- Alternative reality in "A Place Called Here" by Cecelia Ahern
- Metafictional Elements in John Fowles' "The French Lieutenant's Woman" and its Radio Adaptation
- "Portrayal of mental illness in K.R. Jamison's "An Unquiet Mind" and C. McCormack and M. Haynes's "The Shining Heart".
- Portrait of the Rebel in Ray Bradbury's "Fahrenheit 451" and its BBC Radio Adaptation
2017
Prace licencjackie
- Isolation and Loneliness in Charlotte Brontë’s “Villette” and its BBC radio adaptation.
- Elements of Dystopia in Divergent by Veronica Roth
- Functions of sound effects in Orson Welles' radio adaptation of "The War of the Worlds" and Ed Hime's "Obey the Wave"
