2016

Prace licencjackie
  • The Lovecraftian Gothic in Thomas Ligotti's "Nethescurial"
  • Gothic Landscapes in "Metzengerstein" by E. A. Poe, "The Dunwich Horror" by H. P. Lovecraft and "Crouch End" by S. King
  • (Un)homely spaces in selected poems of W.S. Merwin
  • The Haunted Hotel in Stephen King's 'The Shining'
  • Southern Gothic elements in Cormac McCarthy's No Country for Old Men

2015

Prace licencjackie
  • (Im)Perfect Paradise. Eatonville in 'Their Eyes Were Watching God' by Zora Neale Hurston.
  • New York's upper classes during the Jazz Age in F. Scott Fitzgerald's "Beautiful and Damned".
  • The patriarchal house as a symbol of entrapment in Sandra Cisneros' The House on Mango Street and "Woman Hollering Creek"
  • Hybrid form and Native American identity in Louise Erdrich's Love Medicine.
  • Gothic house revisited in Mark Z. Danielewski's House of Leaves.
  • (In)Visibility and African-American identity in Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye
  • Forms of freedom and confinement in William Gibson's Neuromancer
  • The experience of the Holocaust in Cynthia Ozick's "The Shawl" and "Rosa".
  • 'Quiet as it's kept' - internalized racism in Toni Morrison's 'The Bluest Eye'
  • Spatial dimensions of the inner and outer journey in Cormac McCarthy’s “The Road” and “Outer Dark”
  • America, Americans and Paisanos: The (Re)Vision of American national myths in John Steinbeck's "Tortilla Flat"
  • The House as the Site of the Uncanny in Nathaniel Hawthorne's "The House of the Seven Gables"
  • Existential scepticism in Thomas Ligotti's "The Shadow, The Darkness".

2011

Prace magisterskie
  • Symbolism in Margaret Atwood's writing.
  • Levels of Entrapment in Joseph Heller's "Catch 22", "Something Happened" and "Closing Time".