2019

Prace licencjackie

• The Concept Of Liminality in "Stardust" by Neil Gaiman
• The Ghostly Double: the Doppelgänger Motif in Stephen King’s "The Dark Half"
• Haunted Spaces in Mike Flanagan's Film Version of Shirley Jackson's The Haunting od Hill House
• Gothic Elements in Robert Galbraith's Career of Evil
• The Magical Realism of Colson Whitehead's The Underground Railroad
• Childhood Trauma and Race in Toni Morrison’s ’’God Help the Child”

Prace magisterskie

• Confining Domesticity and Female Self in Shirley Jackson’s Short Fiction

2017

Prace licencjackie

• The Magical Realism of Stephen King's The Green Mile
• Contemporary Monsters: Consumerism and Greed in Chuck Palahniuk's Haunted
• The Postmodern Vampire in Suzy McKee Charnas' "The Unicorn Tapestry"
• A Motive of the Feline Avenger in Edgar Allan Poe's "The Black Cat" and Stephen King's "The Cat from Hell"
• Imaginative Empathy and Postmodern Satire in George Saunders' Selected Stories
• Witches and Feminism: Modern-Day Witches in John Updike's The Witches of Eastwick
• Portraits of Depression in Sylvia Plath's The Bell Jar and Elizabeth Wurtzel's Prozac Nation
• Cat as an Allegory in "The White Cat" by Joyce C. Oates and "The Black Cat" by Edgar A. Poe
• Between Reality and Fiction - the Autobiographical Elements in Stephen King's Selected Works
• Carnivalesque Spaces in E. A. Poe's "The Cask of Amontillado" and Thomas Ligotti's "The Last Feast of Harlequin"

2016

Prace licencjackie

• The Theme of Manipulation in Orson Scott Card's "Ender's Game"
• Replacing reality with simulation in Don DeLillo's "White Noise"
• Feminine Madness in Charlotte Perkins Gilman’s The Yellow Wallpaper and Shirley Jackson’s We Have Always Lived in The Castle