2015

Prace magisterskie
  • Crossing Moral Boundaries: The Carnivalization and the Grotesque in Alan Warner’s "Morvern Callar" and Niall Griffiths’s "Kelly + Victor"

2014

Prace magisterskie
  • Speaking with the dead. A New Historicist approach to "Feet in chains" by Kate Roberts and "The Life of Rebeca Jones" by Angharad Price.
  • Modern sequels to Jane Austen's "Pride and Prejudice": Emma Tennant's "Pemberley" and P.D. James's "Death Comes to Pemberley”.
  • Whoever you invented invented you too: rhetoric of absence in “Morvern Callar” by Alan Warner
  • Broadening and Trespassing the Ghost Story Canon in Selected Works by Sheridan Le Fanu, Montague Rhodes James and Algernon Blackwood
  • Reconstructing the Fantasy Genre: Neil Gaiman's 'The Sandman'
  • Visions of Scotland in Scottish Romanticism and Alan Warner's Fiction
  • The Sources of Inspirations of J.R.R. Tolkien's 'A Elbereth! Gilthoniel'
  • Entropy of Meaning: Transtextuality in Will Self's The Book of Dave
  • Female Identity in Selected Works of Aphra Behn and Ann Radcliffe
  • Christianity, Mythology, and Arthurian Legends in "The Space Trilogy" by C. S. Lewis.
  • The Detective Figure in Selected Works by Arthur Conan Doyle, Gilbert Keith Chesterton, and Agatha Christie. A Comparative Study.
  • Patients, Doctors and Illnesses: Medicine in Victorian Literature.
  • Reworkings of the Viking Warrior in Modern Culture
  • The Road of the Woman from Confinement to Freedom in Charlotte Brontë’s Jane Eyre and Angela Carter’s The Magic Toyshop
  • The Motif of 'The Madwoman in the Attic' in Jean Rhys' 'Wide Sargasso Sea', Charlotte Brontë's 'Jane Eyre' and Charlotte Perkins Gilman's 'The Yellow Wallpaper'.
  • Magical Realism as a Postcolonial Strategy in Gabriel García Márquez's One Hundred Years Of Solitude, Ben Okri's The Famished Road and Salman Rushdie's Midnight's Children
  • Portrayl of the American West in Selected Novels by Nicholas Evans

2013

Prace magisterskie
  • The Theme of War Trauma in British 20th Century Fiction
  • Portrayal of the English in Niall Griffiths's "Sheepshagger", Julian Barnes's "England, England" and Kate Fox's "Watching the English"