2024

Prace magisterskie

• Elves in English Literature and Culture - Evolution and Typology
• Towards ‘Abduction Fiction’? The Theme of Abduction in Selected 20th- and 21st-Century English Language Novels
• The Motif of Pathological Family in Selected English-Language Fiction
• Gothic Fear: Horror in the Works of Edgar Allan Poe and Howard Phillips Lovecraft
• Detective-Killer Relationships in Crime Fiction on the Basis of the Works by Arthur Conan Doyle and Tess Gerritsen
• Portrayal of Cannibalism in Selected English-Language Fiction
• The Image of Zombies in English-Language Literature and Film
• The Role of Music in Film Adaptations of Arthur Conan Doyle’s and Agatha Christie’s Crime Fiction
• Imaging Mental Disorder: Painting, Photography and Madness in ‘The Goldfinch’ by Donna Tartt and ‘The Blindfold’ by Siri Hustvedt
• The Role of Poetry in the Work of J. R. R. Tolkien
• Evolution of the Holy Grail Motif in English-Language Literature and Culture.
• Mother – Daughter – Sister: A Study of Female Relationships in ‘Pride and Prejudice’ by Jane Austen and ‘Little Women’ by Louisa May Alcott
• From 'Dracula' to 'Twilight': The Evolution of the Vampire Motif in English-Language Fiction
• The Motif of the Desert Island in English-Language Literature and Film
• Visual Storytelling in English-Language Comics and Graphic Novels: A Comparative Approach
• Gothic Elements in the Works of Arthur Machen and H.P. Lovecraft: A Comparative Study
• Split Personality, Doppelgängers, and Literary Doubles: Dissociative Personality Disorder in Literature and Film
• A Religious Reading of J. R. R. Tolkien’s "The Lord of the Rings" and "The Hobbit"
• The Villain in J.R.R. Tolkien’s “The Lord of the Rings” and J.K. Rowling’s “Harry Potter” Series: An Archetypal Analysis
• The Image of Femme Fatale Across Epochs: English-Language Fiction from the 19th to the 21st Centuries