Dominika Bugno-Narecka

2020

Prace licencjackie
  • Forensic imagination in Agatha Christie's "Elephants Can Remember"
  • Charles Dickens' "Great Expectations" as an Example of Bildungsroman
  • The Image of Elves in J.R.R.Tolkien's "Silmarillion" and A. Sapkowski's "Blood of Elves"
  • Feminism in Salman Rushdie's "The Enchantress of Florence"
  • The Image of a Strong Woman in "Oranges Are Not The Only Fruit" by Jeanette Winterson
  • The Image of Women in a Concentration Camp in ''The Kommandant's Mistress'' by Sherri Szeman
  • The Image of a Strong Woman in Sarah J. Maas's "A Court of Thorns and Roses"

2019

Prace licencjackie
  • Cosmic Horror in the Selected Works of H.P. Lovecraft
  • Story reception in J.K. Rowling's "Harry Potter and The Prisoner of Azkaban" and its film adaptation
  • Anti-utopian vision of society in Margaret Atwood's 'The Handmaid's Tale'
  • The image of New York in F. Scott Fitzgerald's "The Great Gatsby" and its 2013 film adaptation
  • Reliability of Depiction of Mental Disorders in Chuck Palahniuk's "Fight Club"
  • "Oliver Twist" by Charles Dickens as an example of Victorian novel
  • Mr. Darcy as an ideal male literary character
  • "The Quiet Room" by Lori Schiller and Amanda Bennett as a literary memoir
  • Postmodern fairy tales in Angela Carter's "The Bloody Chamber and Other Stories"

2018

Prace licencjackie
  • Elements of Gothic in Arthur Conan Doyle's "The Hound of the Baskervilles"
  • From Utopia to Dystopia in Veronica Roth's "Divergent"
  • Digital Nation as the False Promise of Utopia in Dave Eggers' "The Circle"
  • Sacrifice and Resurrection in "The Chronicles of Narnia: The Lion, The Witch and The Wardrobe" by C.S. Lewis