Dominika Bugno-Narecka

2022

Prace licencjackie
  • Memory Loss in Lisa Genova's "Still Alice"
  • The American Dream in Ha Jin’s "A Free Life"

2021

Prace licencjackie
  • "Ted Bundy: Conversations with a Killer" by Stephen G. Michaud and Hugh Aynesworth as an Example of True Crime
  • Alternative Jewish History in Philip Roth’s “The Plot Against America”
  • Ekphrasis in Dan Brown’s “Inferno”
  • The Image of Women in Tennessee Williams’ “A Streetcar Named Desire”
  • Donna Tartt’s “The Goldfinch” as an Example of Bildungsroman
  • Suzanne Collins’ “The Hunger Games” as an Example of Dystopian Fiction
  • Representations of Music in “A Visit from the Goon Squad” by Jennifer Egan
  • The Image of Post-Traumatic Stress Disorder in Stephen Chbosky’s “The Perks of Being a Wallflower” and Helene Dunbar’s “These Gentle Wounds”
  • The Image of Women in “Pride and Prejudice” by Jane Austen
  • The Image of Women in "Alias Grace" by Margaret Atwood
  • The Representation of Legal Procedures in Jodi Picoult's "Handle with Care"

2020

Prace licencjackie
  • "Brave New World" by Aldous Huxley as an Example of Dystopian Science Fiction
  • The Harry Potter Series as an Example of Bildungsroman
  • The Image of Love in Nicholas Sparks' "The Notebook" and Its Film Adaptation
  • "The Bell Jar" by Sylvia Plath as an Autobiographical Novel
  • The American Dream in F. Scott Fitzgerald's "The Great Gatsby"
  • Magical Realism and Carnivalesque in Angela Carter's "Wise Children"
  • Equivalence in the Selected Polish Translations of Shakespeare's "Sonnets"