2020

Prace licencjackie
  • Interior Britishness - The Policy of Taste in "The Great Interior Design Challenge"
  • "Us" Versus "Them" in Selected 9/11 Hollywood Films
  • “You’ve Come a Long Way, Baby”: Notion of a Smoking Woman in Virginia Slims Advertising
  • Gender and Feminism in Songs and the Public Image of Beyonce
  • The System and Resistance - The Panopticon in "Watch Dogs 2"
  • Biased Minds - FBI Perception of Race and Gender in "Mindhunter"
  • Protecting and Challenging Gender Norms of Masculine Sexuality in "Boy Erased" by Joel Edgerton
  • Depiction of Female Witches in "The Wizard of Oz" by Victor Fleming and "The Love Witch" by Anna Biller
  • The Persistent Horror of Racism in the United States in Jordan Peele’s “Get Out”
  • The Policy of High School Power and Hierarchy in Selected American Teen Movies
  • Representation of Rave (Sub?)Culture in the Movie “Human Traffic”
  • ‘Women Ranchers Rewriting Gender Roles.’ Changing the Femininity Paradigm in the TV Series “Heartland”
  • The Image of the American Family in Selected 1960s Household Product TV Commercials

2019

Prace licencjackie
  • The crisis of the American Dream in "The Great Gatsby" by F. Scott Fitzgerald
  • Feminism and sexism in selected American horror films
  • The images of the woman in selected Revlon's advertising campaigns from the 1950s to 2010s
  • Cultural representations of the forest in J.R.R. Tolkien's "The Lord of the Rings" and A. Sapkowski's "The Witcher"
  • A new face of mythology - superhero myth in the comic books based on "The Dark Knight Returns" by Frank Miller
  • The Notion of machine in "Blade Runner" (1982) by Ridley Scott and "Do Androids Dream of Electric Sheep?" (1968) by Philip K. Dick
  • The notion of masculinity in selected American beer advertisements of the1980s