Urszula Niewiadomska-Flis

2014

Prace licencjackie
  • The Victorian woman and the Flapper in F.S. Fitzgerald's "Bernice Bobs her Hair".
  • Catholicism in Walker Percy's "The Moviegoer."
  • The Other in "Southern Vampire Mysteries" and "True Blood"
  • Thematic concerns in Ellen Glasgow's ghost short stories.
  • Constructing womanhood in Katherine Anne Porter's "The jilting of Granny Weatherall"
  • Antislavery discourse in Solomon Northup’s Twelve years a slave
  • Ignatius Reilly as a Grotesque of Don Quixote in John Kennedy Toole's "A Confederacy of Dunces"

2013

Prace licencjackie
  • Satire on Southern Culture in Frances Newman's "The Hard-Boiled Virgin"
  • Searching for Oneself in Gail Godwin's "The Odd Woman"
  • Honey as a mediator in Fannie Flagg's "Fried Green Tomatoes at The Whistle Stop Cafe" and Sue Monk Kidd''s "The Secret Life of Bees"
  • This is no land for a fairy tale: Playing with the genre in Cormac McCarthy’s “Outer Dark” and Jayne Anne Phillips’ “Bess”
  • Poor White Girlhood in Southern Literature
  • Twentieth Century Southern Matriarchy in Jill McCorkle's "Tending to Virginia"
  • A quest for manliness in Ernest J. Gaines’ "A Lesson Before Dying"
  • The Use of Satire and Black Humor in Joseph Heller’s “Catch-22”
  • Civil Rights Movement and Domestic Relations in Kathryn Stockett's ''The Help''.
  • Southern Womanhood in Fannie Flagg's "Fried Green Tomatoes at the Whistle Stop Café".
  • The Twentieth Century Revision of Southern Womanhood in Florence King's "Confessions of a Failed Southern Lady".

2010

Prace licencjackie
  • Violence and Family Dynamics in Flannery O'Connor's "A Good Man Is Hard to Find" in Relation to The Tradition of Southern Gothic.
  • The Case of Laughter in Alice Walker's "The Color Purple".