Wypromowane prace dyplomowe
2017
Prace licencjackie
- Contemporary Monsters: Consumerism and Greed in Chuck Palahniuk's Haunted
- The Postmodern Vampire in Suzy McKee Charnas' "The Unicorn Tapestry"
- A Motive of the Feline Avenger in Edgar Allan Poe's "The Black Cat" and Stephen King's "The Cat from Hell"
- Imaginative Empathy and Postmodern Satire in George Saunders' Selected Stories
- Witches and Feminism: Modern-Day Witches in John Updike's The Witches of Eastwick
- Portraits of Depression in Sylvia Plath's The Bell Jar and Elizabeth Wurtzel's Prozac Nation
- Cat as an Allegory in "The White Cat" by Joyce C. Oates and "The Black Cat" by Edgar A. Poe
- Between Reality and Fiction - the Autobiographical Elements in Stephen King's Selected Works
- Carnivalesque Spaces in E. A. Poe's "The Cask of Amontillado" and Thomas Ligotti's "The Last Feast of Harlequin"
2016
Prace licencjackie
- The Theme of Manipulation in Orson Scott Card's "Ender's Game"
- Replacing reality with simulation in Don DeLillo's "White Noise"
- Feminine Madness in Charlotte Perkins Gilman’s The Yellow Wallpaper and Shirley Jackson’s We Have Always Lived in The Castle
- When the past haunts the present - the heritage of slavery in Toni Morrison's "Beloved"
- "And whatever walked there, walked alone": The evil image of the house in Shirley Jackson's "The Haunting of Hill House"
- The Southern Grotesque in Carson McCullers' The Ballad of The Sad Cafe: A new approach
- The Glamorous Gatsby: Baz Luhrmann's adaptation of F.S. Fitzgerald's novel
- The African-American bildungsroman in Claude Brown's "Manchild in the Promised Land"
- The Lovecraftian Gothic in Thomas Ligotti's "Nethescurial"
- Gothic Landscapes in "Metzengerstein" by E. A. Poe, "The Dunwich Horror" by H. P. Lovecraft and "Crouch End" by S. King
- (Un)homely spaces in selected poems of W.S. Merwin