dr hab. Grzegorz Maziarczyk prof. KUL

Film adaptation as modernization: the case of The Old Curiosity Shop by Charles Dickens
Horror in Stephen King’s fiction: comparison of selected novels with their film adaptations
Clive Staples Lewis' The Chronicles of Narnia: The Lion, the Witch and the Wardrobe, Prince Caspian and The Voyage of the Dawn Treader: comparison of the novels and their film adaptations
The protagonist's attempts at self-realization in "The Scarlet Letter" by Nathaniel Hawthorne and "Tess of the d'Urbervilles" by Thomas Hardy as well as their film adaptations
The dual nature of serial killer: an analysis of Dexter books & TV series
Film Adaptations of Post-apocalyptic Fiction
"The Great Gatsby" on the silver screen
Representation of death penalty in "Dead Man Walking" by Helen Prejean and " The Green Mile" by Stephen King as well as their film adaptations

The Concept of Borders in Cormac McCarthy's Fiction: Blood Meridian, All The Pretty Horses and The Road
Film Adaptations of Thomas Harris's Hannibal Lecter Novels
The analysis of Dan Brown's Angels and Demons and The Da Vinci Code and their filmic adaptations.
How to preserve the story in modern times: Romeo and Juliet by William Shakespeare and The Great Gatsby by F. Scott Fitzgerald in Baz Luhrmann’s film adaptations.
Modern Film Adaptations of Sir Arthur Conan Doyle's Classic Sherlock Holmes Novels.
Jane Austen on the Silver Screen: Transpositions versus Critical Adaptations of Pride and Prejudice
Elements of robinsonade in Daniel Defoe's Robinson Crusoe and Andy Weir's The Martian and their film adaptations
Representation of the Tudor dynasty in selected novels, films and TV series.
The concept of fidelity in James Dashner's novels and their film adaptations: The Maze Runner and The Maze Runner: Scorch Trials
Solving a puzzle - different ways of misleading the reader in Chuck Palahniuk's Fight Club and Gillian Flynn's Gone Girl and their movie adaptations
The representation of borders in Luís Alberto Urrea's books