Dominika Bugno-Narecka

2023

Prace licencjackie
  • Psychoanalytical Reading of Mona Awad's "Bunny"
  • Elements of Horror in Stephen King's "11/22/63"
  • The Image of Women in Willa Cather's "O Pioneers!" and Kent Haruf's "The Tie That Binds"
  • The Concept of Passing in Nella Larsen's "Passing" and Brit Bennett's "The Vanishing Half"
  • Elements of Dystopia and Anti-Utopia in James Dashner's "The Maze Runner" Series
  • The Image of the Headless Horseman in Selected Texts of Culture
  • Fear in Stephen King's "IT"
  • The Image of Pocahontas in Selected Texts of Culture
  • The Image of Cancer in Paul Kalanithi's "When Breath Becomes Air" and John Green's "The Fault in Our Stars"
  • "The Minds of Billy Milligan" by Daniel Keyes as an Example of True Crime

2022

Prace licencjackie
  • Psychoanalytical Reading of Stephen King’s "The Outsider"
  • Intertextuality in the Coming of Age Novel – Nancy Kleinbaum’s "Dead Poets Society"
  • Forensic Imagination in Michael Connelly's "The Drop"
  • Southern Gothic and Cultural Changes in Flannery O’Connor’s "A Good Man Is Hard to Find" and "Everything That Rises Must Converge"
  • Lois Lowry’s "The Giver" as an Example of Dystopian Fiction
  • Dynamic Protagonists in Epistolary Short Stories: "Unmailed, Unwritten Letters" and "Passions and Meditations" by Joyce Carol Oates
  • The Role of Poetry in Elizabeth Acevedo’s "The Poet X" and Sandra Cisneros’ "The House on Mango Street"
  • Narrative Perspective and Posttraumatic Stress Disorder in Hanya Yanagihara’s ‘A Little Life’
  • The Republic of Pirates in Selected Texts of Culture
  • The Image of Dance in "Tiny Pretty Things" by Sona Charaipotra and Dhonielle Clayton