dr hab. Barbara Klonowska prof. KUL

Pseudoheretical usage of the biblical material in selected prose by Jeanette Winterson.
The tale of a troubled city. The grand narrative of Belfast as presented in selected works of contemporary northern Irish novelists.
From "Black Venus" to "Czarna Wenus": Angela Carter's short stories in Polish translation.
Narrative strategies in selected novels by Iris Murdoch.
Representation of history in Jeanette Winterson's selected novels.
Magic realism as a reflection of human psyche in selected novels by Margaret Atwood and Arundhati Roy
Different psychoanalytic approaches to Joseph Conrad's seleected short stories.
Female sexuality and gender roles in Angela Carter's early fiction.
(Non) Traditional Models of Partnership in Janette Winterson's Fiction.
Disintegration of family in Graham Swift's selected novels.

Decolonising Northern Ireland: Identity and Hybridity in Robet McLiam Wilson's Fiction.
"No real play has a curtain" - theatre in John Fowles's "A Maggot" and "The Magus".
The poetics of dis(-)memberment in Sarah Kane's texts for performance.
Father, partner, macho: images of men in Jeanette Winterson's fiction.
Stereotypes of the British and the French in Julian Barnes's essays and novels.
"Myth is after all, a neverending story": recreation of myth in the novels by: Atwood, Barnes and Rushdie.